Executive Development Programme Sound Design for Indie Developers
-- ViewingNow4,658+
Students enrolled
GBP £ 140
GBP £ 202
Save 44% with our special offer
ě´ ęłźě ě ëí´
100% ě¨ëźě¸
ě´ëěë íěľ
ęłľě ę°ëĽí ě¸ěŚě
LinkedIn íëĄíě ěśę°
ěëŁęšě§ 2ę°ě
죟 2-3ěę°
ě¸ě ë ěě
ë기 ę¸°ę° ěě
ęłźě ě¸ëśěŹí
⢠Introduction to Sound Design: Fundamentals of sound design, digital audio basics, psychoacoustics, and sound terminology.
⢠Sound Design Tools: Overview of sound design software, hardware, and virtual instruments.
⢠Field Recording: Techniques for capturing high-quality audio in various environments and scenarios.
⢠Audio Processing: Equalization, compression, limiting, reverb, delay, and modulation effects.
⢠Implementing Sound in Indie Games: Integrating audio into game engines, such as Unity and Unreal Engine.
⢠Adaptive Sound Design: Techniques for creating dynamic and interactive audio experiences in games.
⢠Collaboration and Communication: Working with game developers, producers, and other stakeholders.
⢠Prototyping and Iteration: Rapid prototyping and iterative design process in sound design for games.
⢠Marketing and Monetization: Strategies for promoting and monetizing indie games through sound design.
Note: This list serves as a general guide for an Executive Development Programme in Sound Design for Indie Developers. The actual content and units may vary depending on the specific needs and goals of the program.
Additional Resources: For further reading and learning, consider checking out the following resources:
- The Game Audio Tutorial: A Practical Guide to Sound and Music for Interactive Games by Richard Stevens and Dave Raybould
- The Sound Designer's Guide to Game Audio: How to Create and Implement Sound Effects for Games by Steve Horowitz and Scott Looney
- Game Sound Theory: The Anthediluvian Papers of Game Sound and Music Composition by Karen Collins, Bill Kapralos, and Holly Tessler
- The Art of Sound Design: The
ę˛˝ë Ľ 경ëĄ
ě í ěęą´
- 죟ě ě ëí 기본 ě´í´
- ěě´ ě¸ě´ ëĽěë
- ěť´í¨í° ë° ě¸í°ëˇ ě ꡟ
- 기본 ěť´í¨í° 기ě
- ęłźě ěëŁě ëí íě
ěŹě ęłľě ěę˛Šě´ íěíě§ ěěľëë¤. ě ꡟěąě ěí´ ě¤ęłë ęłźě .
ęłźě ěí
ě´ ęłźě ě ę˛˝ë Ľ ę°ë°ě ěí ě¤ěŠě ě¸ ě§ěęłź 기ě ě ě ęłľíŠëë¤. ꡸ę˛ě:
- ě¸ě ë°ě 기ę´ě ěí´ ě¸ěŚëě§ ěě
- ęśíě´ ěë 기ę´ě ěí´ ęˇě ëě§ ěě
- ęłľě ě겊ě ëł´ěě
ęłźě ě ěąęłľě ěźëĄ ěëŁí늴 ěëŁ ě¸ěŚě뼟 ë°ę˛ ëŠëë¤.
ě ěŹëë¤ě´ ę˛˝ë Ľě ěí´ ě°ëŚŹëĽź ě ííëę°
댏롰 ëĄëŠ ě¤...
ě죟 돝ë ě§ëʏ
ě˝ě¤ ěę°ëŁ
- 죟 3-4ěę°
- 쥰기 ě¸ěŚě ë°°ěĄ
- ę°ë°Ší ëąëĄ - ě¸ě ë ě§ ěě
- 죟 2-3ěę°
- ě 기 ě¸ěŚě ë°°ěĄ
- ę°ë°Ší ëąëĄ - ě¸ě ë ě§ ěě
- ě 체 ě˝ě¤ ě ꡟ
- ëě§í¸ ě¸ěŚě
- ě˝ě¤ ěëŁ
ęłźě ě ëł´ ë°ę¸°
íěŹëĄ ě§ëś
ě´ ęłźě ě ëšěŠě ě§ëśí기 ěí´ íěŹëĽź ěí ě˛ęľŹě뼟 ěě˛íě¸ě.
ě˛ęľŹěëĄ ę˛°ě ę˛˝ë Ľ ě¸ěŚě íë